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Mozart - Karl Leister • Klaus Thunemann, Academy Of St. Martin In The Fields, Sir Neville Marriner - Clarinet Concerto • Bassoon Concerto • Fagottkonzert Full Album

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Mozart - Karl Leister • Klaus Thunemann, Academy Of St. Martin In The Fields, Sir Neville Marriner - Clarinet Concerto • Bassoon Concerto • Fagottkonzert Full Album
Classical
  • Performer:
    Mozart - Karl Leister • Klaus Thunemann, Academy Of St. Martin In The Fields, Sir Neville Marriner
  • Title:
    Clarinet Concerto • Bassoon Concerto • Fagottkonzert
  • Genre:
  • Style:
    Classical
  • Release date:
    1989
  • Country:
    Germany
  • Size FLAC version
    2532 mb
  • Size MP3 version
    1996 mb
  • Record from:
    CD, Album

Tracklist

13. Rondo (Allegro)
22. Adagio
3 Sonata In B Flat, For Basoon And Cello, KV 292
4 Clarinet Concerto In A, KV 622
5 Bassoon Concerto In B Flat, KV 191
61. Allegro
71. Allegro
Cadenza – Klaus Thunemann
7:00
83. Rondo (Tempo Di Menuetto)
Cadenza – Klaus Thunemann
4:04
92. Andante
102. Andante Ma Adagio
Cadenza – Klaus Thunemann
5:52

Credits

  • BassoonKlaus Thunemann (tracks: 4 to 9)
  • CelloStephen Orton (tracks: 4 to 6)
  • ClarinetKarl Leister (tracks: 1 to 3)
  • Composed ByWolfgang Amadeus Mozart
  • ConductorSir Neville Marriner
  • EngineerOnno Scholtze
  • Liner NotesColin Lawson
  • OrchestraThe Academy Of St. Martin-in-the-Fields
  • ProducerMike Bremner

Notes

Recorded in London, 9/1988

Barcodes

  • Barcode: 0 28942 23902 9
  • Matrix / Runout: 422 390-2 01 #
  • Label Code: LC 0305
  • Other: DDD

Companies

  • Made By – PDO, Germany
  • Phonographic Copyright (p) – Philips Classics Productions

Album

Hummel, Weber: Bassoon Concertos - Klaus Thunemann, Academy of St Martin-in-the-Fields, Sir Neville Marriner. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Mozart: Clarinet & Bassoon Concertos - Karl Leister, Klaus Thunemann, Stephen Orton, Academy of St Martin-in-the-Fields, Sir Neville Marriner. Album 1989 9 Songs. Clarinet Concerto in A, K. Karl Leister, Academy of St. Martin in the Fields & Sir Neville Marriner. Bassoon Concerto in B Flat, K. Klaus Thunemann, Academy of St. Mozart: The Horn Concertos Oboe Concerto - Alan Civil, Neil Black, Academy of St Martin-in-the-Fields, Sir Neville Marriner. Album Themes. Classy Gatherings. Karl Leister, Klaus Thunemann, Neville Marriner, Academy of St. Martin in the Fields. Mozart: Clarinet Concerto in A Sonata in B flat Bassoon Concerto in B flat. Bassoon Concerto in B flat major, K. Martin in the Fields, Sir Neville Marriner -Mozart: Clarinet Concerto in A, - 1. Martin in the Fields, Sir Neville Marriner -Mozart: Clarinet Concerto in A, - 2. Martin in the Fields, Sir Neville Marriner -Mozart: Bassoon Concerto in B flat, - 2. Andante ma adagio. Sir Neville Marriner, Robert Tear, Philip Langridge, Jill Gomez, Academy of St. Martin in the Fields, Benjamin Luxon. Mozart: Clarinet Quintet , Brahms: Clarinet Quintet In B Minor, Op. Mozart: Clarinet & Bassoon Concertos. Karl Leister, Klaus Thunemann, Stephen Orton, Academy of St. Martin in the Fields, Sir Neville Marriner 01-01-1989. Total duration:55 min. Clarinet Concerto in A, : 1. Karl Leister. Composers: Wolfgang Amadeus Mozart. Clarinet Concerto in A, : 2. Mozart: Clarinet Concerto in A, - 1. Martin in the Fields, Sir Neville Marriner. Mozart: Clarinet Concerto in A, - 2. Mozart: Clarinet Concerto in A, - 3. Rondo Allegro. Mozart: Bassoon Concerto in B flat, - 3. Rondo Tempo di menuetto. Часть 3. Peter Damm, Academy of St. Mozart: Horn Concerto No. 1 in D, & 514 - 1. Allegro . 2016 г. Mozart Bassoon Concerto in B flat 1. Allegro 2. Andante 3. Rondo Tempo di menuetto Klaus Thunemann, Bassoon Academy of St. Martin in the Fields Sir Neville Marriner, Conductor. Klaus Thunemann equals Grafenauer in his Bassoon Concerto, employing a plummy tone and technical security. The clarinet concerto with Karl Leister is most impressive in the second movement-a real Adagio as directed and played with interpretive depth. The outer movements are quite bouyant, but I would like a stronger, more concentrated tone and less legato. Ditto the large, slightly blowsy and somewhat bothersome tone of the hornist Peter Damm