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Bach : Glenn Gould - The Goldberg Variations Full Album

Bach : Glenn Gould - The Goldberg Variations Full Album
  • Performer:
    Bach : Glenn Gould
  • Title:
    The Goldberg Variations
  • Genre:
  • Style:
  • Release date:
    03 Jan 1956
  • Country:
  • Size FLAC version
    1267 mb
  • Size MP3 version
    1643 mb
  • Record from:
    Vinyl, LP, Mono


1Variations Nos. 17 Through 30
2Variations Nos. 1 Through 16


CategoryArtistTitle (Format)LabelCategoryCountryYear
MS 7096Bach / Glenn Gould Bach / Glenn Gould - The Goldberg Variations ‎(LP, RE, Pit)Columbia MasterworksMS 7096USUnknown
88697147451Bach - Glenn Gould Bach - Glenn Gould - Bach: The Goldberg Variations ‎(LP)Sony Classical88697147451Europe2007
CBS 75692Bach : Glenn Gould Bach : Glenn Gould - Variations Goldberg ‎(LP, Album, Mono, RE, Gat)Columbia MasterworksCBS 75692France1981
Д 04932-3Иоганн Себастьян Бах - Глен Гульд Иоганн Себастьян Бах - Глен Гульд - Ария С Вариациями (Гольдберг - Вариации), BWV 988 ‎(LP, Mono, RP)МелодияД 04932-3USSR1984
WMYK 38479Bach : Glenn Gould Bach : Glenn Gould - Bach: Goldberg Variations (Gould's Exciting Debut Recording Of 1955) ‎(CD, Mono)CBS MasterworksWMYK 38479CanadaUnknown


  • Composed ByBach
  • Photography – Dan Weiner
  • Piano, Liner NotesGlenn Gould


Includes a second 'insert' cover with the continuation of the liner notes on one side and advertisements for Columbia on the other.

Grey '6-eyes' labels.

Made in U.S.A.


  • Matrix / Runout (Label Side A): XLP 35696
  • Matrix / Runout (Label Side B): XLP 35697


  • Record Company – Columbia Records
  • Pressed By – Columbia Records Pressing Plant, Hollywood


Bach: The Goldberg Variations is the 1955 debut album of Canadian classical pianist Glenn Gould. An interpretation of Johann Sebastian Bach's Goldberg Variations BWV 988, the work launched Gould's career as a renowned international pianist, and became one of the most well-known piano recordings. Sales were astonishing for a classical album: it was reported to have sold 40,000 copies by 1960, and had sold more than 100,000 by the time of Gould's death in 1982. In 1981, a year before his death. Glenn Gould plays Bach - The Goldberg Variations, BMV 998 Zenph re-performance. While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained legendary status, there are many devoted fans who rank the 1981 recording just as highly, even though it offers a dramatically different interpretation. This album was made shortly before the pianist's premature death at age 50, so it is significant for being his last recording indeed, the opening measures of the Aria are carved on Gould's headstone, in final recognition of the work's importance to him, so these two recordings may be regarded as bookends to the pianist's extraordi. Listen free to Glenn Gould Bach: Goldberg Variations Original Album, 1956 Goldberg Variations, BWV 988: Aria, Goldberg Variations, BWV 988: Variatio 1. a 1 Clav. and more. 32 tracks . Bach: Goldberg Variations 2012 - download mp3 or listen online. Songs list. Download each separately, rating. Bach: Goldberg Variations 2012 - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Most important - you can download the album Bach: Goldberg Variations to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: Bach: Goldberg Variations 2012. Extracts From The Goldberg Variations, BWV 988: Variations, 3, 18, 9, 24, 10, 30 - Glenn Gould. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Album 2013 64 Songs. Goldberg Variations, BWV 988 1955 Recording: Variation 2 a 1 Clav. By Johann Sebastian Bach. Goldberg Variations, BWV 988 1955 Recording: Variation 3 a 1 Clav. Canone all' Unisuono. His 1981 recording of the Goldberg Variations is still recognizable as Gould: the strutting precision and emphasis on counterpoint apparent. So too is Goulds famously divisive practice of humming along with his playing a natural trait of Goulds that seemed to flower into a deliberate affectation sometime between 1955 and 1981. But in the 1981 variations, Gould makes good on his desire for dignity. The 1955 rendition of No. 5 has a compelling, nervy energy the 1981 version takes a greater sense of self-possession