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Annette Ogden - Enda - The Elephant Who Wanted A Good Name Full Album

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Annette Ogden - Enda - The Elephant Who Wanted A Good Name Full Album
Audiobook, Story
  • Performer:
    Annette Ogden
  • Title:
    Enda - The Elephant Who Wanted A Good Name
  • Genre:
  • Style:
    Audiobook, Story
  • Country:
    South Africa
  • Size FLAC version
    1815 mb
  • Size MP3 version
    2878 mb
  • Record from:
    Vinyl, 7", 45 RPM, EP

Tracklist

1Enda - The Elephant Who Wanted A Good Name
2Enda - The Elephant Who Wanted A Good Name

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
DFEM 8555Annette Ogden Enda The Elephant Who Wanted A Good Name ‎(7", EP, Mono)DeccaDFEM 8555New ZealandUnknown

Credits

  • Music By, Arranged ByEldon Hawkes
  • Written-ByAnnette Ogden

Barcodes

  • Matrix / Runout (A): 7TCEA.167
  • Matrix / Runout (B): 7TCEA.168
  • Rights Society: Copyright Control

Companies

  • Pressed By – Columbia Graphophone Company Ltd.
  • Manufactured By – E.M.I. (South Africa) (Pty) Ltd.
  • Printed By – Printcraft

Album

Performer: Annette Ogden Genre: Children's Album: Enda - The Elephant Who Wanted A Good Name Style: Audiobook, Story. Free Download links. Performer: Snowing Genre: Rock Album: I Could Do Whatever I Wanted If I Wanted Released: 2010 Style: Emo. Crazy Elephant - Gimme Gimme Good Lovin. Performer: Crazy Elephant Genre: Rock Album: Gimme Gimme Good Lovin Released: 1969 Style: Psychedelic Rock. Annette Ogden's Album Enda - The Elephant Who Wanted A Good Name. Listen to all tracks of Enda - The Elephant Who Wanted A Good Name for free. The parable of the Blind Men and an Elephant originated in the ancient Indian subcontinent, from where it has been widely diffused. It is a story of a group of blind men who have never come across an elephant before and who learn and conceptualize what the elephant is like by touching it. Each blind man feels a different part of the elephant's body, but only one part, such as the side or the tusk. They then describe the elephant based on their limited experience and their descriptions of the elephant. The First approached the Elephant, And happening to fall Against his broad and sturdy side, At once began to bawl: God bless me but the Elephant Is very like a wall The Second, feeling of the tusk, Cried, Ho what have we here So very round and smooth and sharp To me 'tis mighty clear This wonder of an Elephant Is very like a spear The Third approached the animal, And happening to take The squirming trunk within his hands, Thus boldly up and spake: I see, quoth he, the Elephant Is very like a snake. When these blind men heard this, out of curiosity, they wanted to experience it by touching it as they had no idea what an elephant is. Elephant Journal. 21 July 2019 . It didnt matter anymore who did what and who hurt whom or who wanted the divorce. All of the hurting was part of the marriage, and our marriage was over. Whether divorced or married, our family would always be my children's family. And I wanted to still love him. Not be in love with him, but love him. I did not want him out of my life. Annette Funicello, who won Americas heart as a 12-year-old in Mickey Mouse ears, captivated adolescent baby boomers in slightly spicy beach movies and later championed people with multiple sclerosis, a disease she had for more than 25 years, died on Monday in Bakersfield, Calif. She was 70. Annette Joanne Funicello was born on Oct. 22, 1942, in Utica, N. and as the first grandchild on either side of the family was indulged to the point of being, in her own words, a spoiled brat. But Mr. Disney, whom she considered a second father, convinced her that her own name would be more memorable once people learned it. Start by marking The Flower Who Wanted A Name as Want to Read: Want to Read saving Want to Read. Currently Reading. Enlarge cover. Everyone has a name or so it seems, everyone except this one little flower. And this little flower is determined to get a name. Get A Copy. Online Stores . Onstage, Cage the Elephant has proudly maintained rocks men-will-be-boys tradition Shultz is a live wire exulting in the moment. And ever since its 2008 debut album, the group has noisily defied the cultural decline of rock in the 21st century. And the songs are never simply period pieces or party tunes. The band doesnt merely understand, and revel in, what a historical anomaly it is. It also has feelings, and shows them. But even as the lyrics detail troubled thoughts, the music staves off self-pity with distorted tones, obstinate drumbeats and unhistrionic vocals